{"id":28,"date":"2012-01-11T15:28:42","date_gmt":"2012-01-11T15:28:42","guid":{"rendered":"http:\/\/www.vilma.cc\/river\/?p=28"},"modified":"2012-02-05T23:43:10","modified_gmt":"2012-02-05T23:43:10","slug":"references","status":"publish","type":"post","link":"https:\/\/vilma.cc\/river\/2012\/01\/references\/","title":{"rendered":"references"},"content":{"rendered":"<p><strong>Roger Deakin, <em>Waterlog<\/em><\/strong>:<\/p>\n<p>\u2018The warm rain tumbled from the gutter in one of those midsummer downpours as I hastened across the lawn behind my house in Suffolk and took shelter in the moat. Breast-stroking up and down the thirty yards of clear, green water, I nosed along, eyes just at water level \u2026 The best moments were when the storm intensified, drowning birdsong, and a haze rose off the water as though the moat itself were rising to meet the lowering sky.\u2019<br \/>\n\u2018In the water you are immersed in an intensely private world \u2026 I can dive in with a long face and what feels like a terminal case of depression and emerge a whistling idiot.\u2019<\/p>\n<p><strong>John Cheever, \u2018The Swimmer\u2019<\/strong>:<\/p>\n<p>\u2018To be embraced and sustained by the light green water was less a pleasure, it seemed, than the resumption of a natural condition \u2026 The day was lovely, and that he lived in a world so generously supplied with water seemed like a clemency, a beneficence.\u2019<\/p>\n<p><strong>BOOKS<\/strong><\/p>\n<p>Bauman, Zygmunt (2000) <em>Liquid Modernity, <\/em>Cambridge: Polity.<\/p>\n<p>Calvino, Italo (1978) <em>Invisible Cities<\/em>, Harcourt, Brace, Jovanovich.<\/p>\n<p>Cheever, John (1990) <em>Collected Stories<\/em>, London: Vintage.<\/p>\n<p>Conrad, Joseph (1999) <em>Heart of Darkness<\/em>, Penguin. Originally published 1903.<\/p>\n<p>Deakin, Roger (2000) <em>Waterlog: A Swimmer\u2019s Journey Through Britain<\/em>, London: Vintage.<\/p>\n<p>Fishman, Charles (2011) <em>The Big Thirst: The Secret Life and Turbulent Future of Water, <\/em>New York:<em> <\/em>Free Press<em>.<\/em><\/p>\n<p>Hall, Max (1986) <em>The<\/em> <em>Charles: The People&#8217;s River, <\/em>Olympic Marketing.<em><br \/>\n<\/em><\/p>\n<p>Haglund, Karl (2003) <em>Inventing the Charles River, <\/em>Boston: MIT Press.<\/p>\n<p>Kastner, Jeff, ed. (1998) <em>Land and Environmental Art<\/em>, London: Phaidon.<\/p>\n<p>Lynch, Kevin (1992) <em>The Image of the City<\/em>, Cambridge, Mass: MIT Press.<\/p>\n<p>Macfarlane, Robert (2007) <em>The Wild Places<\/em>, London: Penguin<em>.<\/em><\/p>\n<p>Piene, Otto, ed. (1976) You <em>are Here, Boston Celebrations: Environmental Art<\/em>, Cambridge: MIT Center for Advanced Visual Studies\/Institute of Contemporary Art.<\/p>\n<p>Rew, Kate &amp; Tyler, Dominic (2008) <em>Wild Swim: River, Lake, Lido and Sea<\/em>, London: Guardian Books.<\/p>\n<p><strong>WEBSITES<\/strong><\/p>\n<p>Amphicar <a href=\"http:\/\/www.amphicar.com\" target=\"_blank\">http:\/\/www.amphicar.com<\/a><\/p>\n<p>Charles River Conservancy Agency <a href=\"http:\/\/www.thecharles.org\" target=\"_blank\">http:\/\/www.thecharles.org<\/a><\/p>\n<p>Copenhagen Suborbitals <a href=\"http:\/\/copenhagensuborbitals.com\" target=\"_blank\">http:\/\/copenhagensuborbitals.com<\/a><\/p>\n<p>Floating fishing villages in Asia <a href=\"http:\/\/en.wikipedia.org\/wiki\/Fishing_village\" target=\"_blank\">http:\/\/en.wikipedia.org\/wiki\/Fishing_village<\/a><\/p>\n<p>long-established communities which exist entirely on, and from, the water<\/p>\n<p>Great Pacific Garbage Patch <a href=\"http:\/\/en.wikipedia.org\/wiki\/Great_Pacific_Garbage_Patch\" target=\"_blank\">http:\/\/en.wikipedia.org\/wiki\/Great_Pacific_Garbage_Patch<\/a><\/p>\n<p>The Green Museum <a href=\"http:\/\/www.greenmuseum.org\/\">http:\/\/www.greenmuseum.org<\/a><\/p>\n<p>MIT Museum Hart Nautical Collection <a href=\"http:\/\/web.mit.edu\/museum\/collections\/nautical.html\" target=\"_blank\">http:\/\/web.mit.edu\/museum\/collections\/nautical.html<\/a><\/p>\n<p>Open Sailing <a href=\"hhttp:\/\/opensailing.net\" target=\"_blank\">http:\/\/opensailing.net<\/a><\/p>\n<p>Outdoor Swimming Society <a href=\"http:\/\/www.outdoorswimmingsociety.com\" target=\"_blank\">http:\/\/www.outdoorswimmingsociety.com<\/a><\/p>\n<p>People Powered Submarine <a href=\"http:\/\/www.greenmuze.com\/climate\/travel\/1044-people-powered-submarine-.html\" target=\"_blank\">http:\/\/www.greenmuze.com\/climate\/travel\/1044-people-powered-submarine-.html<\/a><\/p>\n<div>MIT Sea Perch DIY underwater robot<a href=\"http:\/\/seaperch.mit.edu\/index.php\" target=\"_blank\"> http:\/\/seaperch.mit.edu\/index.<wbr>php<\/wbr><\/a><\/div>\n<div><a href=\"http:\/\/seaperch.mit.edu\/sensors.php\" target=\"_blank\">http:\/\/seaperch.mit.edu\/<wbr>sensors.php<\/wbr><\/a><\/div>\n<div>\n<p>Suikinkutsu <a href=\"http:\/\/en.wikipedia.org\/wiki\/Suikinkutsu\" target=\"_blank\">http:\/\/en.wikipedia.org\/wiki\/Suikinkutsu<\/a><\/p>\n<p>Traditional Japanese stream musical instrument (designed to be visually hidden and to delight listeners by the sounds coming from under the ground; water flow used to change the perception of a place)<\/p>\n<\/div>\n<div>Underwater Gliders AUVs that can cross oceans:<a href=\"http:\/\/en.wikipedia.org\/wiki\/Underwater_glider\" target=\"_blank\"> http:\/\/en.wikipedia.org\/wiki\/<wbr>Underwater_glider<\/wbr><\/a><\/div>\n<p><strong>ARTISTS &amp; ARCHITECTS<br \/>\n<\/strong><\/p>\n<p>Ala Plastica <a href=\"http:\/\/www.alaplastica.org.ar\" target=\"_blank\">http:\/\/www.alaplastica.org.ar<\/a><\/p>\n<p>Lise Autogena <a href=\"http:\/\/www.autogena.org\" target=\"_blank\">http:\/\/www.autogena.org<\/a><\/p>\n<p>Matthew Buckingham <a href=\"http:\/\/www.matthewbuckingham.net\" target=\"_blank\">http:\/\/www.matthewbuckingham.net<\/a><\/p>\n<p>Muhheakantuck \u2013 history of the Hudson, flight along the Hudson<\/p>\n<p>Heath Bunting and Kayle Brandon <a href=\"http:\/\/irational.org\/kayle\/#\" target=\"_blank\">http:\/\/irational.org\/kayle\/#<\/a><\/p>\n<p>Avon Canoe Pilot<\/p>\n<p>Vincent Callebaut <a href=\"http:\/\/vincent.callebaut.org\/\" target=\"_blank\">http:\/\/vincent.callebaut.org\/<\/a><\/p>\n<p>Lilypad &#8211; a floating ecopolis for climate refugees<\/p>\n<p>Marcus Coates <a href=\"http:\/\/www.culture24.org.uk\/art\/photography%20%26%20film\/film%20art\/art349481\" target=\"_blank\">http:\/\/www.culture24.org.uk\/art\/photography%20%26%20film\/film%20art\/art349481<\/a><\/p>\n<p>The Trip \u2013 an imaginary trip down in the Amazon in a canoe with a terminally ill patient<\/p>\n<p>Susan Derges <a href=\"http:\/\/www.susanderges.com\/\" target=\"_blank\">www.susanderges.com<\/a><\/p>\n<p>worked at night, placing photographic paper\u00a0 on the river bed and allowing the images to be exposed through ambient light, aided by the use of a flash gun. Publications: Woman Thinking River,1998, Liquid Form,1999.<\/p>\n<p>Diller and Scofido: Blur Building<a href=\"http:\/\/www.dillerscofidio.com\/blur.html\" target=\"_blank\"> http:\/\/www.dillerscofidio.com\/<wbr>blur.html<\/wbr><\/a><\/p>\n<p>Mark Dion <a href=\"http:\/\/www.tate.org.uk\/britain\/exhibitions\/artnow\/markdion\/default.shtm\" target=\"_blank\">http:\/\/www.tate.org.uk\/britain\/exhibitions\/artnow\/markdion\/default.shtm<\/a><\/p>\n<p>Tate Thames Dig, 2000<\/p>\n<p>Olafur Eliasson <a href=\"http:\/\/www.olafureliasson.net\" target=\"_blank\">http:\/\/www.olafureliasson.net<\/a><\/p>\n<p>Newton and Helen Mayer Harrison <a href=\"http:\/\/www.theharrisonstudio.net\/\" target=\"_blank\">http:\/\/www.theharrisonstudio.net<\/a><\/p>\n<p>Watersheds, river restorations, Global Warming and rising water levels<\/p>\n<p>HeHe <a href=\"http:\/\/hehe.org.free.fr\" target=\"_blank\">http:\/\/hehe.org.free.fr<\/a><\/p>\n<p>Mitchell Joachim River Gym <a href=\"http:\/\/www.archinode.com\/gym.html\" target=\"_blank\">http:\/\/www.archinode.com\/gym.html<\/a><\/p>\n<p>Antti Laitinen <a href=\"http:\/\/www.anttilaitinen.com\/\" target=\"_blank\">http:\/\/www.anttilaitinen.com\/<\/a><\/p>\n<div>Annea Lockwood <a href=\"http:\/\/www.annealockwood.com\/compositions\/housatonic.htm\" target=\"_blank\">http:\/\/www.annealockwood.com\/compositions\/housatonic.htm<\/a><\/div>\n<p>A Sound Map of the Housatonic River<\/p>\n<p>Lone Twin <a href=\"http:\/\/www.theboatproject.com\/\" target=\"_blank\">http:\/\/www.theboatproject.com\/<\/a><\/p>\n<p>Building a boat from donated wood with stories \u2013 a seaworthy archive of memories<\/p>\n<p>Marie Lorenz and Diana Stevenson <a href=\"http:\/\/www.marielorenz.com\/upriver\" target=\"_blank\">http:\/\/www.marielorenz.com\/upriver<\/a><\/p>\n<p>Photo essay of a 3 day journey on the Hudson in a homemade boat<\/p>\n<p>Rafael Lozano-Hemmer <a href=\"http:\/\/www.lozano-hemmer.com\/\" target=\"_blank\">http:\/\/www.lozano-hemmer.com<\/a><\/p>\n<p><a href=\"http:\/\/www.channel4.com\/culture\/microsites\/B\/bigart\/latest_news.html#cardigan\" target=\"_blank\">http:\/\/www.channel4.com\/culture\/microsites\/B\/bigart\/latest_news.html#cardigan<\/a><\/p>\n<p>Cardigan &#8211; Turbulence &#8211; floating 127 buoys in the river Teifi&#8217;s centre along with a loudspeaker and an LED light source.<\/p>\n<p>Frank Lloyd Wright: Fallingwater<a href=\"http:\/\/www.fallingwater.org\/\" target=\"_blank\"> http:\/\/www.fallingwater.org\/<\/a><\/p>\n<p>Makrolab <a href=\"http:\/\/makrolab.ljudmila.org\" target=\"_blank\">http:\/\/makrolab.ljudmila.org<\/a><\/p>\n<p>Dominique Mazeaud <a href=\"http:\/\/www.theboatproject.com\/\" target=\"_blank\">http:\/\/www.earthheartist.com<\/a><\/p>\n<p>Cleansing of the Rio Grande \u2013 7 year monthly project<\/p>\n<p>Matthew Mazotta <a href=\"http:\/\/matthewmazzotta.com\/home.html\" target=\"_blank\">http:\/\/matthewmazzotta.com\/home.html<\/a><\/p>\n<p>Jun Nguyen-Hatsushiba<\/p>\n<p><a href=\"http:\/\/www.lehmannmaupin.com\/artists\/jun-nguyen-hatsushiba\/\" target=\"_blank\">http:\/\/www.lehmannmaupin.com\/artists\/jun-nguyen-hatsushiba\/<\/a><\/p>\n<p>Outlandia <a href=\"http:\/\/www.outlandia.com\/\" target=\"_blank\">http:\/\/www.outlandia.com<\/a><\/p>\n<p>Erik Pirolt, Trond N. Perry and Stian Pollestad, Kysa, DIY artists boat <a href=\"http:\/\/www.youtube.com\/watch?v=cJLhxDBf-IE&amp;NR=1&amp;feature=endscreen\" target=\"_blank\">http:\/\/www.youtube.com\/watch?v=cJLhxDBf-IE&amp;NR=1&amp;feature=endscreen<\/a><\/p>\n<p>Platform <a href=\"http:\/\/www.platformlondon.org\/\" target=\"_blank\">http:\/\/www.platformlondon.org<\/a><\/p>\n<p>Still Waters, 1992 &#8211; 2001 \u2013 imagining London\u2019s buried rivers \u2013 the Walbrook and the Effra confined to sewers and storm drains, installing a school water turbine<\/p>\n<p>Marjetica Potrc<\/p>\n<p>Three Gorges Project (artistic responses to)<\/p>\n<p><a href=\"http:\/\/nasher.duke.edu\/exhibitions_displacement.php\" target=\"_blank\">http:\/\/nasher.duke.edu\/exhibitions_displacement.php<\/a><\/p>\n<p>Chen Qiulin, Yun-Fei Ji, Liu Xiaodong and Zhuang Hui<\/p>\n<p>Tobias Putrih<\/p>\n<p><a href=\"http:\/\/gregorpodnar.com\/_index.php?p=p_65&amp;sName=tobias-putrih\" target=\"_blank\">http:\/\/gregorpodnar.com\/_index.php?p=p_65&amp;sName=tobias-putrih<\/a><\/p>\n<p>Nomeda &amp; Gediminas Urbonas<\/p>\n<p>Gediminas Urbonas &amp; Nader Tehrani, <em>Liquid Archive<\/em><\/p>\n<p><a href=\"http:\/\/arts.mit.edu\/fast\/fast-light\/liquid-archive\" target=\"_blank\">http:\/\/arts.mit.edu\/fast\/fast-light\/liquid-archive<\/a><\/p>\n<p>Wet Sounds <a href=\"http:\/\/www.wetsounds.co.uk\/\" target=\"_blank\">http:\/\/www.wetsounds.co.uk<\/a><\/p>\n<p>Hector Zamora Geometrias Daninhas (2006) <a href=\"http:\/\/www.lsd.com.mx\/proyecto?id=53\" target=\"_blank\">http:\/\/www.lsd.com.mx\/<\/a><wbr><a href=\"http:\/\/www.lsd.com.mx\/proyecto?id=53\" target=\"_blank\">proyecto?id=53#<br \/>\n<\/a> pvc pipes and water lilies, Ibirapuera lake, S\u00e3o Paulo &#8211; Brasil in How to live together &#8211; 27th S\u00e3o Paulo Biennial<br \/>\n\u201cHarmful geometries\u201d is an intervention at the Ibirapuera lake based on the 2220 square meters of water hyacinth contained by 51 octagonal structures of pvc pipes. The authorization to place the water hyacinths was cancelled on September 25th, 2006. The octagonal structures are still floating on the lake.<\/wbr><\/p>\n<p><strong>FILMS<\/strong><\/p>\n<div>Alonso, Lisandro (2003) <em>Los Muertos, <\/em>82 mins.<\/div>\n<div><\/div>\n<div>Benning, James, <em>Spiral Jetty<\/em> (shows Smithson&#8217;s earthwork above and submerged by the water),\u00a0US 1970, 16mm, color, 32 min.<\/div>\n<div><\/div>\n<div>Benning, James, <em>California Trilogy<\/em> (Politics of water supply to Los Angeles):<em> El Valley Centr<\/em> (2000)<em>; Sogobi<\/em> (2001)<em>; Los<\/em> (2001).<\/div>\n<div><\/div>\n<div>Coppola, Francis Ford (1979) <em>Apocalypse Now.<\/em><\/div>\n<div><\/div>\n<div>Elfick, David (1973) <em>Crystal Voyager<\/em>, filmed, written and narrated by George Greenough.<\/div>\n<div><\/div>\n<div>Pollack, Sydney\/Perry, Frank (1968) <em>The Swimmer<\/em> (starring Burt Lancaster, based on John Cheever story).<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Roger Deakin, Waterlog: \u2018The warm rain tumbled from the gutter in one of those midsummer downpours as I hastened across the lawn behind my house in Suffolk and took shelter in the moat. Breast-stroking up and down the thirty yards of clear, green water, I nosed along, eyes just at water level \u2026 The best [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-28","post","type-post","status-publish","format-standard","hentry","category-references"],"_links":{"self":[{"href":"https:\/\/vilma.cc\/river\/wp-json\/wp\/v2\/posts\/28","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vilma.cc\/river\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vilma.cc\/river\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vilma.cc\/river\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vilma.cc\/river\/wp-json\/wp\/v2\/comments?post=28"}],"version-history":[{"count":27,"href":"https:\/\/vilma.cc\/river\/wp-json\/wp\/v2\/posts\/28\/revisions"}],"predecessor-version":[{"id":182,"href":"https:\/\/vilma.cc\/river\/wp-json\/wp\/v2\/posts\/28\/revisions\/182"}],"wp:attachment":[{"href":"https:\/\/vilma.cc\/river\/wp-json\/wp\/v2\/media?parent=28"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vilma.cc\/river\/wp-json\/wp\/v2\/categories?post=28"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vilma.cc\/river\/wp-json\/wp\/v2\/tags?post=28"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}